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Deleuze states, "no longer coexistence of sheets of past, but the simultaneity of peaks of present." (101) Could we reach and claim, after reading Deleuze, that the protagonist's moments relived in the past could be seen as "peaks of the present" in reference to the time-image?
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Even Traditional 24 frames per second projected cinema is comprised of still images. Our perception transitions them so quickly that we "perceive" movement. It is a physical perception, perhaps made possible by the limitations of our eyes and mind working together. But, when the fps is reduced, to 1 or 2 frames per second - sometimes even 1 frame per 2 or 3 seconds - in La Jetée, it would seem the mind has to create instead of perceive, or perhaps be more active in the participation that is required to transverse that space-time of the film. Perhaps, creation and perception are the same thing, or elements of the same function?
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I am not sure how this all works, but the questions opened up by this film on what constitutes cinematic movement make it almost seem like this film was created as an example to be included in the Deleuze's Cinema 1 and 2. I should have watched it before starting this weeks readings!
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